flight patterns

When I started at SGI, the company was a lot more than over-priced graphics workstations. There was a tonne of work in data visualisation; taking huge quantities of data and presenting them in a visual format that’s easier to understand than just the raw numbers.

One of the most compelling demos we had was a time-lapse visualisation that showed call traffic following the San Francisco earthquake. It displayed point-to-point call volumes by super-imposing bars of colour between major exchanges. In the hours prior to the quake you see the odd bar (which required 1k calls to show up, and different colours as the number of calls between the exhanges incremented) between points, and then as the earthquake hits you see how the news travelling affects the phone system.

As time passed, the calls between different points became a non factor, and all the exchanges started to show volume to the SFO area. Call volume continued to increase as the news got out and people started calling anyone they knew in the SF area to make sure they were ok. Eventually SF looks like a red (the colour used to display the highest number of calls in a trunk) sun with rays reaching across the United States as the system nears collapse. Pac Bell then switched the network over to priority calls only, at which point the map went dark. Really cool stuff, and a very effective demonstration of how powerful visualisation can be.

I ran across the Flight Patterns work this morning that was used as a stepping stone to the Celestial Mechanics project. The Flight Patterns work is visualisation of FAA data over the United States, and shows flight paths using vectors drawn from repeater data from the FAA. My fave is probably the visualisation of the flights by aircraft type.

Cool stuff, and this was the kind of work that was being done by the folks at SGI over a decade ago. So much potential, but boy was it wasted.

Check out Flight Patterns, it’s pretty cool, and reminds me a lot of the talent that was once at Silicon Graphics.

treat!

I’ve mentioned once or twice that I’m a fan of mashups. I love how they can combine very different musical genres and make something better than just the sum of its parts (of course “better” is in the eye of the beholder).

One of my favourite mashup artists, Mark Vidler, is releasing what he calls a virtual vinyl release. It’s a 3-track mp3 download, and it’ll be available for download this coming Monday. It’s not for everyone, but if the thought of Snoop Dogg and Crowded House mixed together makes sense to you, you should probably check it out. I’ve been pimping Vidler’s “Don’t Hold Back (Sweet Jane)” track to friends, which is a Chemical Brothers / Velvet Underground / Adina Howard / MARRS / U2 / Blur mashup that works really well.

Check him out, and grab some of the mixes he has available.

Taking a bit of a different tack for just a second – if you like Electronica/Techno, the Nike+ Original Run mixes are excellent. They’re available through iTunes and, in addition to being outstanding running tracks, are great mixes for driving/working/whatever. There’s two long (45min) mixes currently, one from LCD Soundsystem, and one from The Crystal Method (I prefer the latter – warms up, climbs over time, then lets you back down). Recommended, even if you don’t run.

returned to sender

Hrmm, I guess some people didn’t like the memo, after all. Seven games into the season the Flyer’s GM Bobby Clarke was allowed to retire (although after all the effluent that has flowed from his mouth the last decade, I think they should have fired his ass), and Hitchcock was shown the door.

Clarke leaving isn’t a surprise, but Hitchcock being yanked was a bit of one. In hindsight, I guess it shouldn’t have been, as he does have a bit of a rep – similar to Keenan – of his players tuning him out after a few years. I’m guessing that Esche wasn’t the only one who had had enough.

I guess this means it’s officially a rebuilding year in Philly. Sorry, yeh yeh (for the rebuilding year, I’m thinking you’re happy seeing Clarke fade away).

sending a message

While I can’t claim I like Ken Hitchcock, coach of the Philadelphia Flyers, I do respect how he operates. His goaltender, Robert Esche, was a little stinky to open the season, and hasn’t played since. Recently, when asked about Hitchcock, Esche stated “I don’t try getting in his head, that’s for sure. It’s an empty place.” A great way to get the starting job back from the rookie.

The Flyers are having all kinds of problems all over the ice, and the goaltending is no exception. While visiting the undefeated Buffalo Sabres, Hitchcock started Esche instead of the rookie, Niittymaki.

One word: “ugh”

Philly’s defence sucked hard, and Esche got shellacked for 6 goals in the second period. Normally after that kind of display, you get pulled. Not last night. Hitchcock left Esche in nets for the whole game, and Buffalo added another 3 goals in the third.

Ugly? Oh yeah.

Message sent? Hell yeah.

I’ll never understand why so many athletes today insist on using the media to make their displeasure known. It’ll never end well, and you’d think some folks might learn something from T.O., but I guess not. In any event, I’m sure the message was sent (which I respect), and I hope Hitchcock’s gamble with his goalie’s limited confidence pays off.

In other hockey news, Ottawa currently has the worst power play in the league with one goal in thirty attempts, and a net goals on the power play of -1. And boy, was Murray ever prescient telling Sens fans not to expect stellar goaltending this year (although I really don’t think that’s their problem). Go Sens, Go!!!! ha ha… I crack myself up.

Oh, and how ’bout them Leafs? Sundin’s 500th goal (a slapshot that popped the water bottle, in overtime, short-handed, at home, to complete the hat trick) was about as good as it gets. Also, when did Darcy Tucker stop whining and start playing hockey?

cool tool

Have you ever spent a few hours out and about with your shiny digital SLR snapping pics, only to come home and discover your sensor had a bunch of dust particles, and your pics need some serious retouching to get rid of all those grey blobs? I know I have, and sometimes using a blower just isn’t enough.

Behold the VisibleDust Butterfly 724: a compact, battery-operated, dry brush CMOS sensor cleaner for your digital SLR.

The concept is simple – the brush is statically charged and attracts dust particles as you wipe your camera’s sensor with it. After you’re done (and have closed up your camera), you hit the power button which rotates the brush at high-speed, flinging the trapped dust particles hither and yon, and renewing the static charge to the brush for the next cleaning.

The brush takes 2 AAA batteries, comes in a nice travel case, has a grippy rubberized coating, and doubles as a marital aid (just seeing if you’re paying attention, but you have to admit, the name alone is an interesting choice all things considered). Apparently there are three colours, but you don’t get to choose. By a stroke of luck, mine matches the inside of my camera bag quite nicely.

A great companion to Giotto’s Rocket Air tool for cleaning on the go, and recommended. It’s around $100 from VisibleDust, who also make a variety of dry and wet sensor and chamber cleaning goodies (not cheap, but effective). There’s also a thicker sensor brush available for ~$50 for heavy duty cleaning/one-pass full-frame sweeps.

little mermaid

The Little Mermaid

I am sad to admit I’m actually a fan of the movie “The Little Mermaid”. But I am, so I’ll get over it.

I have twice gone hunting for copies of this movie after the limited release had sold out. I once paid $280 for a sealed copy of the VHS release from 1992 for a friend of mine. The second time was not so bad, and only involved rummaging through the boxes upon boxes of DVDs at J&R right before Xmas in 2001 because I had remembered seeing a copy ten months beforehand and, sure enough, I found it and got it for my niece. I am reasonably sure she watched it once and never watched it again, liking Shrek far more.

What’s the point of this? Seven years have passed since The Little Mermaid was last released, which means there is now another limited release, 2-disc edition of the movie. I still like it, and still find Sebastian pretty darn funny, so I’ll be grabbing my very own copy (finally). If you liked it, you should, too, because this movie sells out every time. e-bay made it cheaper, but you’ll still pay fifty bucks two years from now when your baby grows into a toddler, so you may as well.